Skip to main content

The Sea

Down among the least valuable albums I own is this 2010 CD of Corinne Bailey Rae's second full-length release The Sea. At Discogs the median price for it is currently £1.88, a penny more than the LP of orchestral music by Leos Janáček I wrote about in January, and a penny less than a CD copy of The Very Best Of Prince. In general, soul albums from the latter part of the CD era are cheap as chips: now is a great time to be buying them. In any case, it's another illustration, if any were needed, of the lack of correlation between monetary and artistic value.

My late wife was binge-watching episodes of the show Medium one evening, ca. 2007, while I was busy with something or other at the computer in the next room. During one particlar episode (S3E12: 'The One Behind The Wheel') a brief musical refrain was played very frequently throughout: often enough that it caught my attention. My wife asked me to look up the song in question, which turned out to be CBR's 'Like a Star' - and, in no time, I'd ordered her debut album on CD. Somewhat uncommonly, we both liked it, played it several times, then moved on to other things and forgot about it.

But I didn't forget completely. Despite having parted with that disc, something in the back of my mind kept returning to the songs on it, and I'd seek out Bailey Rae's videos on YouTube. Last year I got around to acquiring another (second-hand) copy of it, and also copies of the this album and The Heart Speaks in Whispers - her third. It doesn't appear to have attracted much critical notice, but this one is my favourite of the three. It's arguably somewhat 'vanilla', but along with the conventional (if excellent) arrangements there are, I think, heartfelt depths: the untimely death of Bailey Rae's first husband had influenced its making, and its songs strike a resonant chord in this widower's heart.

Comments

Popular posts from this blog

All Wrapped Up

Here's another of the compilation cassettes I bought this summer, having taken home a Denon twin-deck hi-fi cassette player from the local charity shop. All Wrapped Up is a 1983 compilation of singles by The Undertones, with Side One filled with A-sides, and B-sides on Side Two. A cassette must be the least desirable medium for such an arrangement, with a long rewind required if one just wants to hear the hits repeatedly. The Undertones were unapologetically provincial and anti-fashionable, with their songs sharply-written slices of life that pointedly avoided any mention of politics, or of the then-continuing violence in their native Derry. My favourite tracks are the obvious choices: 'Teenage Kicks', 'Jimmy Jimmy', 'Here Comes the Summer', 'My Perfect Cousin' & 'Wednesday Week'. Their later singles showed increased sophistication but lack the some of the straightforward charm of their earlier work. The B-sides, not unexpectedly, are mo...

Complete String Quartets

While the string quartets of Nikolai Yakovievich Myaskovsky (1881-1950) were all published in the Soviet era, a few of them had pre-revolutionary origins. Two quartets he wrote in 1911 and '09 while a conservatory student re-surfaced some twenty years later designated as Quartets Nos. 3 and 4.  An even earlier "schoolboy" piece was later re-worked more radically as Quartet No. 10, premiered in 1945. Myaskovsky partook of an ample share of the turmoil and tragedy of his times: he was wounded and shell-shocked after service on the front line in World War I, and his father, who had been a high-ranking military engineer, was brutally murdered by a revolutionary mob. Despite that, his music, even at its most sombre, hasn't the black bile or biting sarcasm of Shostakovich's, or of his friend Prokofiev's. Of the works collected here, in excellent early '80s performances by the Taneyev Quartet, only Quartet No. 1 has any significantly metallic tang of early S...

Ein Schattenspiel, etc.

Georg Friedrich Haas is a contemporary Austrian composer of "art music". "Haas's style recalls that of György Ligeti in its use of micropolyphony, microintervals and the exploitation of the overtone series; he is often characterized as a leading exponent of spectral music" says wikipedia. Only a relative few of his many compositions have been issued on CD - many more of them can be found on YouTube. On this 2020 disc are three of his works in which standard classical instrumentation is augmented and altered by "live electronics". Two are string quartets and one is for solo piano. Is a string quartet still really a quartet if there are meanwhile some other people with laptops busily twizzling the sound? There is a live performance video of the 'String Quartet No. 7', the first work on the disc, where the JACK Quartet are supplemented by a trio of sound boffins to realise the composition. Whether it's properly a quartet or a septet is neithe...