The Riverside Years

With the copyright of many classic jazz recordings having expired in the EU there have been a profusion of public domain re-issues of doubtful provenance and unpredicatable quality. Here is an example: a 5 CD set from 2013 of albums originally on the Riverside label between 1956 and 1960. The re-issue is courtesy of 'Not Now Music'.

In this instance the sound quality is plenty good enough for me. Each CD comes in a card sleeve and includes a single album, with no added bonus tracks. There's also a 20-page booklet with notes by Peter Gamble, the whole package contained in a clamshell box. I had downloaded versions of a couple of the albums included here some time ago, but felt the need to acquire hard copies of his music too. I've never found an affordable Monk LP in the wild, so an inexpensive CD set seemed like a good choice.

Of the albums in the box, The Unique Thelonious Monk is, for me, the least interesting, with Monk tackling seven standards accompanied by bass & drums. The two live albums (Thelonious Alone in San Francisco and Thelonious Monk at the Blackhawk) are both very good and very different from each other. Best of all are the classic studio albums Brilliant Corners and Monk's Music: inimitable and outstanding works of art.

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Complete String Quartets

While the string quartets of Nikolai Yakovievich Myaskovsky (1881-1950) were all published in the Soviet era, a few of them had pre-revolutionary origins. Two quartets he wrote in 1911 and '09 while a conservatory student re-surfaced some twenty years later designated as Quartets Nos. 3 and 4. An even earlier "schoolboy" piece was later re-worked more radically as Quartet No. 10, premiered in 1945. Myaskovsky partook of an ample share of the turmoil and tragedy of his times: he was wounded and shell-shocked after service on the front line in World War I, and his father, who had been a high-ranking military engineer, was brutally murdered by a revolutionary mob. Despite that, his music, even at its most sombre, hasn't the black bile or biting sarcasm of Shostakovich's, or of his friend Prokofiev's. Of the works collected here, in excellent early '80s performances by the Taneyev Quartet, only Quartet No. 1 has any significantly metallic tang of early S...

Ein Schattenspiel, etc.

Georg Friedrich Haas is a contemporary Austrian composer of "art music". "Haas's style recalls that of György Ligeti in its use of micropolyphony, microintervals and the exploitation of the overtone series; he is often characterized as a leading exponent of spectral music" says wikipedia. Only a relative few of his many compositions have been issued on CD - many more of them can be found on YouTube. On this 2020 disc are three of his works in which standard classical instrumentation is augmented and altered by "live electronics". Two are string quartets and one is for solo piano. Is a string quartet still really a quartet if there are meanwhile some other people with laptops busily twizzling the sound? There is a live performance video of the 'String Quartet No. 7', the first work on the disc, where the JACK Quartet are supplemented by a trio of sound boffins to realise the composition. Whether it's properly a quartet or a septet is neithe...

All Wrapped Up

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This is a Recording

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