Skip to main content

Cello Sonatas

Ferdinand Ries is just one among the many talented and once-renowned composers whose legacy has been overlooked due to its being overshadowed by that of his near-contemporary Beethoven. In his case there was a strong connection between the two men: both came from Bonn, and Ries's father was one of LvB's early teachers. This link must have helped him secure a place as one of the great man's very few students, and, later, as his secretary.

After the turmoil of the Napoleonic wars had reached Vienna, Ries set off on the road in an effort to make a name for himself, at length finding fame & fortune during a long stint in London. While there's hardly anyone who would put him on the same level as his former teacher, much of his music is delightful - the Cello Sonatas on the present disc included. These stand up well in comparison with Beethoven's own works for cello & piano, and I personally prefer them.

This is one of several CDs on the CPO label featuring Ries's work. It contains two full sonatas and two shorter works. The op. 21 A major sonata is an ebullient work dating from 1810, with the op, 125 G minor sonata composed in 1823, toward the end of Ries's time in London. The latter is the highlight of disc, with its concluding Rondo a particular delight. Both the playing (by Guido Larisch on the cello and Robert Hill at the fortepiano) and the recording strike me as excellent.

Comments

Popular posts from this blog

Complete String Quartets

While the string quartets of Nikolai Yakovievich Myaskovsky (1881-1950) were all published in the Soviet era, a few of them had pre-revolutionary origins. Two quartets he wrote in 1911 and '09 while a conservatory student re-surfaced some twenty years later designated as Quartets Nos. 3 and 4.  An even earlier "schoolboy" piece was later re-worked more radically as Quartet No. 10, premiered in 1945. Myaskovsky partook of an ample share of the turmoil and tragedy of his times: he was wounded and shell-shocked after service on the front line in World War I, and his father, who had been a high-ranking military engineer, was brutally murdered by a revolutionary mob. Despite that, his music, even at its most sombre, hasn't the black bile or biting sarcasm of Shostakovich's, or of his friend Prokofiev's. Of the works collected here, in excellent early '80s performances by the Taneyev Quartet, only Quartet No. 1 has any significantly metallic tang of early S...

Onslow

George Onslow was an odd-man-out among 19th-century French composers. Born into wealth and privilege, the grandson of an English Earl, he had no need to follow the operatic gravy train, with string quartets (of which he wrote 36) and string quintets (there are another 32 of those) forming the bulk of his compositional output. The present disc contains his 28th, 29th and 30th quartets, in compelling performances by the Quatuor Diotima. These quartets were written toward the end of a prolifically-creative period for Onslow in the years 1829-35. Viviane Niaux, in her informative booklet notes, ascribes this to the composer's having heard performances of two of Beethoven's late quartets for the first time in 1828, at their Paris première. Like many of his contemporaries, Onslow was at once "fascinated and disconcerted", and, although he considered them "extravagant", they seem to have been powerfully inspirational. A further spur to creativity may have been his ...

Influencías

In my original blogging days, I would occasionally run giveaways to offload unwanted books or CDs to whomever claimed them. Sometimes the recipients would offer to send me something in return. It was in this way that, ca. 2007, a Catalan correspondent sent me Influencías: a CD of perfomances by the Barcelona-based Cuarteto Casals. The CD begins with Maurice Ravel's renowned string quartet: I hadn't known the piece before receiving this disc, but I was sold on it by this fresh & bright performance. Next is a quartet called 'Vistes al Mar' by the Catalan composer Eduardo Toldrá. Its evocative maritime movements are prefaced by recitations of poems by Joan Maragall, a Catalan author whose works directly inspired the piece. Lastly there's an arrangement of Joaquín Turina's atmospheric 'Oración del Torero', originally composed for a lute quartet. I'm on the fence about the cover photo: it's a well-composed picture & not a bad idea, but with 2...