Skip to main content

Manchild

I've always frowned on the practice of including two mixes of the same song on a 7" single; or worse, multiple versions on a 12" one. It's hardly ever happened that I want to listen to multiple arrangements of the same tune in succession. 'Manchild', Neneh Cherry's second 45 release, has 'Manchild (The Original Mix)' as its B-side. Not that it really matters, as I bought the record second-hand and very cheaply, and because I've always liked the song.

Apparently one of Cherry's first attempts at songwriting, it's a poignant ballad with a memorable melody. Some voices have a certain something in their timbre which just sit right somehow in one's ear, and for me, hers is such a one. The lyrics, a sketched portrait of the titular character, fall in a way that leads me to try to puzzle out a narrative from them when I listen to the track. Jean-Baptiste Mondino's video for the song is also a delight.

My copy has a worn & torn picture sleeve with a white label stuck on the front of it with "NENEH CHERRY /A. MANCHILD /B. MANCHILD" thereupon in dot-matrix print. Looking at the record's label we learn it was produced by 'Booga Bear and the Bubble Bunch', the former being the singer's husband Cameron McVey - while the latter might include some or all of the likes of Nellee Hooper, Tim 'Bomb the Bass' Simenon and Robert '3D' Del Naja, all of whom were involved in its making.

Labels:

Comments

Post a Comment

Popular posts from this blog

All Wrapped Up

Here's another of the compilation cassettes I bought this summer, having taken home a Denon twin-deck hi-fi cassette player from the local charity shop. All Wrapped Up is a 1983 compilation of singles by The Undertones, with Side One filled with A-sides, and B-sides on Side Two. A cassette must be the least desirable medium for such an arrangement, with a long rewind required if one just wants to hear the hits repeatedly. The Undertones were unapologetically provincial and anti-fashionable, with their songs sharply-written slices of life that pointedly avoided any mention of politics, or of the then-continuing violence in their native Derry. My favourite tracks are the obvious choices: 'Teenage Kicks', 'Jimmy Jimmy', 'Here Comes the Summer', 'My Perfect Cousin' & 'Wednesday Week'. Their later singles showed increased sophistication but lack the some of the straightforward charm of their earlier work. The B-sides, not unexpectedly, are mo...
Post a Comment
Read more

In Heat

Having acquired the soubriquet "the walrus of love", Barry White thereafter became something of a figure of fun, something that misled me (and presumably others) into disregarding his music. Only within the last few years have I begun to pay it more attention. After picking up a copy of his '74 album Can't Get Enough last summer, which I loved, I sought out some of the music by his protegés Love Unlimited. From a Discogs seller I ordered well-used copies of Under the Influence of... ('73) and In Heat ('74) for only £6.25. The only unappealing thing about In Heat is its awful title. The songs and the singing are strong; the arrangements rich & warmly enveloping. As one would expect from White, the thematic focus is firmly fixed on amatory matters. The opening number 'Move Me No Mountain' (the only one on the record not written by White) offers a refreshing rebuttal to the kind of lyrical hyperbole in songs like 'Ain't No Mountain High E...
Post a Comment
Read more

Bananas Are Not Created Equal

I knew Jay Berliner's name from his contributions to Van Morrison's Astral Weeks and Charles Mingus' The Black Saint and the Sinner Lady , so when I saw this curiously-titled LP at the local charity shop I was intrigued, and bought it even though I had no idea what kind of music it might contain. This was after the days when one could still buy records there for a pound apiece, but I don't think I paid more than a fiver for it. The music turned out to be an all-instrumental blend of funk, soul & jazz. Berliner's virtuoso lead guitar is only one of many attractions here. The band of first-rate session musicians behind him are all uniformly excellent too, and, crucially, sound like they're having a blast. Cornell Dupree's supporting guitar work, while less showy than Berliner's, is beautifully-judged, and the rhythm section is terrific. Arranger/conductor Wade Marcus was no slouch either, judging from the way everything comes together. Two of the funk...
Post a Comment
Read more