Skip to main content

Jimmy Smith's Greatest Hits

"File under JAZZ: Soloist Led Groups (Modern)" advises a note on the top right hand corner of the back of the sleeve. My record collection is modest enough that such elaborate categorisation is unnecessary, so I'm content to file my two LPs by Smith, ('The Incredible') Jimmy between Sinatra, Nancy and Smithereens, The. The two albums are a mismatched pair of compilations on the Verve label: this Greatest Hits and a Best Of, Vol. 2.

I tend not to think of jazz artists in terms of 'hits' but there were numerous singles and EPs of Smith's tunes, some of which must have sold well enough. The recordings included here all date between '62 and '66. On most of them Smith is accompanied by a big band using arrangements by the likes of Oliver Nelson and Lalo Schifrin. There's only a single trio performance, that of 'The Organ Gringer's Swing' where Smith is ably assisted Kenny Burrell on guitar and Grady Tate on drums.

Alun Morgan's sleevnotes mention that Smith's material while at Verve extended to "television show themes, Christmas carols, current popular tunes, earthy blues numbers and contemporary jazz themes." On this record most of the tracks are movie-related in one way or another, with treatments of the themes from Goldfinger and Who's Afraid of Virginia Woolf among them. On one of the "earthy blues numbers," a rendition of 'Hoochie Coochie Man', Smith contributes some appropriately rough-edged vocals in addition to working his usual magic on the Hammond B3.

Comments

Popular posts from this blog

Complete String Quartets

While the string quartets of Nikolai Yakovievich Myaskovsky (1881-1950) were all published in the Soviet era, a few of them had pre-revolutionary origins. Two quartets he wrote in 1911 and '09 while a conservatory student re-surfaced some twenty years later designated as Quartets Nos. 3 and 4.  An even earlier "schoolboy" piece was later re-worked more radically as Quartet No. 10, premiered in 1945. Myaskovsky partook of an ample share of the turmoil and tragedy of his times: he was wounded and shell-shocked after service on the front line in World War I, and his father, who had been a high-ranking military engineer, was brutally murdered by a revolutionary mob. Despite that, his music, even at its most sombre, hasn't the black bile or biting sarcasm of Shostakovich's, or of his friend Prokofiev's. Of the works collected here, in excellent early '80s performances by the Taneyev Quartet, only Quartet No. 1 has any significantly metallic tang of early S...

Ein Schattenspiel, etc.

Georg Friedrich Haas is a contemporary Austrian composer of "art music". "Haas's style recalls that of György Ligeti in its use of micropolyphony, microintervals and the exploitation of the overtone series; he is often characterized as a leading exponent of spectral music" says wikipedia. Only a relative few of his many compositions have been issued on CD - many more of them can be found on YouTube. On this 2020 disc are three of his works in which standard classical instrumentation is augmented and altered by "live electronics". Two are string quartets and one is for solo piano. Is a string quartet still really a quartet if there are meanwhile some other people with laptops busily twizzling the sound? There is a live performance video of the 'String Quartet No. 7', the first work on the disc, where the JACK Quartet are supplemented by a trio of sound boffins to realise the composition. Whether it's properly a quartet or a septet is neithe...

Influencías

In my original blogging days, I would occasionally run giveaways to offload unwanted books or CDs to whomever claimed them. Sometimes the recipients would offer to send me something in return. It was in this way that, ca. 2007, a Catalan correspondent sent me Influencías: a CD of perfomances by the Barcelona-based Cuarteto Casals. The CD begins with Maurice Ravel's renowned string quartet: I hadn't known the piece before receiving this disc, but I was sold on it by this fresh & bright performance. Next is a quartet called 'Vistes al Mar' by the Catalan composer Eduardo Toldrá. Its evocative maritime movements are prefaced by recitations of poems by Joan Maragall, a Catalan author whose works directly inspired the piece. Lastly there's an arrangement of Joaquín Turina's atmospheric 'Oración del Torero', originally composed for a lute quartet. I'm on the fence about the cover photo: it's a well-composed picture & not a bad idea, but with 2...