Skip to main content

Journey in Satchidananda

I was aware of the importance of John Coltrane's work from a relatively young age (even if I struggled to enjoy it), but, as these things too often go, I read or heard nothing of his wife's music until much later. About ten years ago I heard her composition 'Turiya And Ramakrishna', which stopped me in my tracks, whereupon I downloaded a few of her albums. Even so, several more years passed before I finally bought some of them on physical media, with Journey to Satchidananda being one of two CDs of hers I picked up at Spillers Records in Cardiff in 2019 (as mentioned a few days ago).

In Coltrane's original liner notes for the album, reproduced in the CD booklet, she wrote "I hope this album will be a form of meditation and a spiritual awakening for those who listen with their inner ear." Only having functional outer ears, and not the most discerning ones at that, such an awakening may continue to elude me, but one needn't be fully on-board with the heartfelt spirituality in evidence here to enjoy the wonderful music, or to be uplifted by it. 

The opening track, from which the album takes its name, soon establishes a mood, one that is thoroughly redolent of its time (1970), but which still feels fantastic over half a century later - it's a warm & fragrant bath of sound. The second track, 'Shiva-Loka', continues in a similar vein, while the two subsequent tracks have a more restless air, with Coltrane having switched from harp to piano. The last and longest track 'Isis and Osiris' is cut from a somewhat different cloth, being a live recording with some different players - leaning perhaps a little more toward the avant-garde, without being unduly abrasive.

Comments

Popular posts from this blog

Complete String Quartets

While the string quartets of Nikolai Yakovievich Myaskovsky (1881-1950) were all published in the Soviet era, a few of them had pre-revolutionary origins. Two quartets he wrote in 1911 and '09 while a conservatory student re-surfaced some twenty years later designated as Quartets Nos. 3 and 4.  An even earlier "schoolboy" piece was later re-worked more radically as Quartet No. 10, premiered in 1945. Myaskovsky partook of an ample share of the turmoil and tragedy of his times: he was wounded and shell-shocked after service on the front line in World War I, and his father, who had been a high-ranking military engineer, was brutally murdered by a revolutionary mob. Despite that, his music, even at its most sombre, hasn't the black bile or biting sarcasm of Shostakovich's, or of his friend Prokofiev's. Of the works collected here, in excellent early '80s performances by the Taneyev Quartet, only Quartet No. 1 has any significantly metallic tang of early S...

Ein Schattenspiel, etc.

Georg Friedrich Haas is a contemporary Austrian composer of "art music". "Haas's style recalls that of György Ligeti in its use of micropolyphony, microintervals and the exploitation of the overtone series; he is often characterized as a leading exponent of spectral music" says wikipedia. Only a relative few of his many compositions have been issued on CD - many more of them can be found on YouTube. On this 2020 disc are three of his works in which standard classical instrumentation is augmented and altered by "live electronics". Two are string quartets and one is for solo piano. Is a string quartet still really a quartet if there are meanwhile some other people with laptops busily twizzling the sound? There is a live performance video of the 'String Quartet No. 7', the first work on the disc, where the JACK Quartet are supplemented by a trio of sound boffins to realise the composition. Whether it's properly a quartet or a septet is neithe...

Influencías

In my original blogging days, I would occasionally run giveaways to offload unwanted books or CDs to whomever claimed them. Sometimes the recipients would offer to send me something in return. It was in this way that, ca. 2007, a Catalan correspondent sent me Influencías: a CD of perfomances by the Barcelona-based Cuarteto Casals. The CD begins with Maurice Ravel's renowned string quartet: I hadn't known the piece before receiving this disc, but I was sold on it by this fresh & bright performance. Next is a quartet called 'Vistes al Mar' by the Catalan composer Eduardo Toldrá. Its evocative maritime movements are prefaced by recitations of poems by Joan Maragall, a Catalan author whose works directly inspired the piece. Lastly there's an arrangement of Joaquín Turina's atmospheric 'Oración del Torero', originally composed for a lute quartet. I'm on the fence about the cover photo: it's a well-composed picture & not a bad idea, but with 2...