Skip to main content

Chamber Music

Thanks to his day-job as a research chemist (among other commitments), Alexander Borodin wasn't the most prolific of composers, and this 3CD set suffices to include all of his chamber works. It's a 2009 issue on the budget Brilliant Classics label of recordings made in the mid-'90s. The performers are The Moscow Trio and The Moscow String Quartet, with a further four musicians helping out here & there. None of the players are famous enough that I recognise their names, but all are highly accomplished. The recordings themselves are excellent too.

The majority of the works are early ones, written when Borodin was in his twenties. According to Malcolm MacDonald's booklet notes, the String Quintet in F minor on disc 2 is among his first serious compositions. It, like a few of the other pieces, was never fully finished. There are only two movements of a String Sextet in D minor, and the Piano Trio in D has three movements, but, seems to be lacking a fourth to serve as a satisfying finalé.

The Piano Trio is nevertheless richly tuneful and highly enjoyable, as is the Piano Quintet in C minor, which does appear to be a complete work. Compared with his better-known String Quartets, however, these are all relatively obscure and seldom-performed pieces. The second Quartet in particular has wide renown, principally for its beautiful 'Nocturne' third movement: I have another two recordings of it on vinyl. The third movment of the first quartet is also very striking, with muted sections utilising high harmonics lending it an otherwordly shimmer.


Comments

Popular posts from this blog

All Wrapped Up

Here's another of the compilation cassettes I bought this summer, having taken home a Denon twin-deck hi-fi cassette player from the local charity shop. All Wrapped Up is a 1983 compilation of singles by The Undertones, with Side One filled with A-sides, and B-sides on Side Two. A cassette must be the least desirable medium for such an arrangement, with a long rewind required if one just wants to hear the hits repeatedly. The Undertones were unapologetically provincial and anti-fashionable, with their songs sharply-written slices of life that pointedly avoided any mention of politics, or of the then-continuing violence in their native Derry. My favourite tracks are the obvious choices: 'Teenage Kicks', 'Jimmy Jimmy', 'Here Comes the Summer', 'My Perfect Cousin' & 'Wednesday Week'. Their later singles showed increased sophistication but lack the some of the straightforward charm of their earlier work. The B-sides, not unexpectedly, are mo...

In Heat

Having acquired the soubriquet "the walrus of love", Barry White thereafter became something of a figure of fun, something that misled me (and presumably others) into disregarding his music. Only within the last few years have I begun to pay it more attention. After picking up a copy of his '74 album Can't Get Enough last summer, which I loved, I sought out some of the music by his protegĂ©s Love Unlimited. From a Discogs seller I ordered well-used copies of Under the Influence of... ('73) and In Heat ('74) for only £6.25. The only unappealing thing about In Heat is its awful title. The songs and the singing are strong; the arrangements rich & warmly enveloping. As one would expect from White, the thematic focus is firmly fixed on amatory matters. The opening number 'Move Me No Mountain' (the only one on the record not written by White) offers a refreshing rebuttal to the kind of lyrical hyperbole in songs like 'Ain't No Mountain High E...

Bananas Are Not Created Equal

I knew Jay Berliner's name from his contributions to Van Morrison's Astral Weeks and Charles Mingus' The Black Saint and the Sinner Lady , so when I saw this curiously-titled LP at the local charity shop I was intrigued, and bought it even though I had no idea what kind of music it might contain. This was after the days when one could still buy records there for a pound apiece, but I don't think I paid more than a fiver for it. The music turned out to be an all-instrumental blend of funk, soul & jazz. Berliner's virtuoso lead guitar is only one of many attractions here. The band of first-rate session musicians behind him are all uniformly excellent too, and, crucially, sound like they're having a blast. Cornell Dupree's supporting guitar work, while less showy than Berliner's, is beautifully-judged, and the rhythm section is terrific. Arranger/conductor Wade Marcus was no slouch either, judging from the way everything comes together. Two of the funk...