Skip to main content

Life

In February 1997 I was handed an envelope containing 3,200,000 in cash. It would have been better had the currency not been Italian lire, but I was delighted, even so: it amounted to more than a thousand pounds. This was pursuant to my having been commended as part of a management recognition scheme. The whole cash-in-hand aspect of it was frankly, rather odd, but it was the sort of working environment where the peculiar was commonplace, so I never dwelt for long on any new piece of weirdness. With that money I bought my first ever CD player, and my first few dozen CDs, of which one was Life, by The Cardigans.

I'd heard and enjoyed 'Sick and Tired' and 'Tomorrow' on the radio some time beforehand, but their music hadn't exactly been on my mind - it was just that when I saw the disc in the Rinascita music store on Via delle Botteghe Oscure, the cover image and design appealed to me so much I thought I'd pick it up and take a chance on it. The case still has its SIAE sticker on the back (an acronym for SocietĂ  Italiana degli Autori ed Editori - the Italian copyright collecting agency) which one always saw on imported recordings. It states "NOLEGGIO VIETATO CD IMPORT FONO" (rental prohibited, etc.).

Fortunately, appearances weren't deceptive in this instance, and the music more than lived up to its packaging. The songs are great (though there are a few tracks I'll often skip); the band sound excellent; Nina Persson's voice is delightful; and Tore Johansson's production brings everything together beautifully - I love the way these songs were recorded. I've never tired of this disc, which feels as fresh as on the day I bought it.

Comments

Popular posts from this blog

All Wrapped Up

Here's another of the compilation cassettes I bought this summer, having taken home a Denon twin-deck hi-fi cassette player from the local charity shop. All Wrapped Up is a 1983 compilation of singles by The Undertones, with Side One filled with A-sides, and B-sides on Side Two. A cassette must be the least desirable medium for such an arrangement, with a long rewind required if one just wants to hear the hits repeatedly. The Undertones were unapologetically provincial and anti-fashionable, with their songs sharply-written slices of life that pointedly avoided any mention of politics, or of the then-continuing violence in their native Derry. My favourite tracks are the obvious choices: 'Teenage Kicks', 'Jimmy Jimmy', 'Here Comes the Summer', 'My Perfect Cousin' & 'Wednesday Week'. Their later singles showed increased sophistication but lack the some of the straightforward charm of their earlier work. The B-sides, not unexpectedly, are mo...

In Heat

Having acquired the soubriquet "the walrus of love", Barry White thereafter became something of a figure of fun, something that misled me (and presumably others) into disregarding his music. Only within the last few years have I begun to pay it more attention. After picking up a copy of his '74 album Can't Get Enough last summer, which I loved, I sought out some of the music by his protegĂ©s Love Unlimited. From a Discogs seller I ordered well-used copies of Under the Influence of... ('73) and In Heat ('74) for only £6.25. The only unappealing thing about In Heat is its awful title. The songs and the singing are strong; the arrangements rich & warmly enveloping. As one would expect from White, the thematic focus is firmly fixed on amatory matters. The opening number 'Move Me No Mountain' (the only one on the record not written by White) offers a refreshing rebuttal to the kind of lyrical hyperbole in songs like 'Ain't No Mountain High E...

Bananas Are Not Created Equal

I knew Jay Berliner's name from his contributions to Van Morrison's Astral Weeks and Charles Mingus' The Black Saint and the Sinner Lady , so when I saw this curiously-titled LP at the local charity shop I was intrigued, and bought it even though I had no idea what kind of music it might contain. This was after the days when one could still buy records there for a pound apiece, but I don't think I paid more than a fiver for it. The music turned out to be an all-instrumental blend of funk, soul & jazz. Berliner's virtuoso lead guitar is only one of many attractions here. The band of first-rate session musicians behind him are all uniformly excellent too, and, crucially, sound like they're having a blast. Cornell Dupree's supporting guitar work, while less showy than Berliner's, is beautifully-judged, and the rhythm section is terrific. Arranger/conductor Wade Marcus was no slouch either, judging from the way everything comes together. Two of the funk...